From the Guest Book

guestbook1

Here’s what some people had to say after our Northern Lights concert last night:

‘What an absolute gem we have on our doorstep! Thank you for a stupendous evening.’ Bettina

‘Loved the concert as usual. Bach was an absolute treat. Can’t wait till next one.’ Jan

And from Sunday:

‘Fantastic – Tears flowed. Thank you.’ Ruth

‘I have enjoyed the 2016 Season, looking forward to next year. Great performances.’ Anne

And this was sent to us from Edward who attended the concert on Nov 11, Remembrance Day:

VISIONARY

In the dark of remembrance I rested, mesmorised by the complex “Concerto for Two Violins in D-minor” – a divine concertante: and blossoming from the Mosman Symphony, it delivered my mortality to the sweetest glimpse of infinite Grace.

Three cheers for all those sonorious gems that have ever poured from your vat of loveliness, Richard Wagner: your vintage continues to intoxicate classical culture-vultures everywhere. “Siegfried Idyll” was a very satisfying selection from the orchestra’s music cellar, and we quaffed on that rare beaujolaise enough to quench a sailor’s thirst. Pour me another damn it – and another! “Sorte’ Sobriete”! And why not? It caused the earth to move for me, and apparently did wonders for the enraptured juices of Cosimo, until Richard flogged-off this beloved gift to her, presented with some ritual and ceremony, to all and sundry; and that’s men for you!

Was it a mere rush of blood to the head on sighting the panorama of a new century, that sparked pleasant and optimistic harmonies in the first movement of Jean Sibelius’ second symphony? – I think not! They’re a mask for what was to come – and it wasn’t pretty! – MoSO you nailed it! This great work is no walk-in-the-park, and should not be misunderstood or underestimated: its calibre is on par with Beethoven, however, the similarity ends there. Beethoven was on the whole a reactionary for his time, Sibelius channelled the future with dark tones, warning of the disaster that was to unfold onto a humanity flawed with the deadly emotions of pride and greed – “Art” with a capital ‘A’! His carefully considered timings, intricately designed-rhythms and sumptuous harmonies? – Well, we can surmise their veiled or implied meanings, and argue the toss infinitum – but we’re bound to enjoy the ride, as we did! By the way, it was the best interpretation I’ve heard.

Reflect at this time.

Lest we forget

PS: Looking forward to more of your great performances.

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